Apple Music – my analysis

I like it, and I’ll pay for it.

I could actually stop there, because that’s really all that matters to anyone – do you like it, and if so, would you be prepared to pay for it? Simple.

But I thought I’d put down a few thoughts on why I like it.

Open mind, open ears

I’ve often said (if not here, then in real life) that I tend to avoid hype. Mostly that applies to movies but in some measure also to music. The more ‘screamingly popular’ a musical artist is, the less likely I am to check out their work. This is as a result of becoming seriously jaded by “mainstream” music over a lot of years. I still rarely listen to the radio and when I do I am rarely impressed by what I hear.

So imagine my surprise when I began to seriously consider checking out the music of Taylor Swift. The first catalyst was when she appeared in a performance on Australia’s X Factor show final.

Unpacking the suitcase

Further to my post on installing fonts on iOS devices, I came across a slight problem when attempting to include the ever popular Century Gothic font in my font payload. When I located the font it was in a Font Suitcase file which the Apple Configurator didn’t want to know about. I spent some time trying to work out a way around this and eventually hit on a simple method using only an OS X command and a simple piece of free software.

Fontastic iOS!

While I was mucking around last night trying, again, to figure out the much talked about “per app VPN” that iOS 7 supposedly offers, I stumbled across a rather glorious discovery. You can install any TrueType or OpenType font on your iOS devices and use those fonts in iWork across iOS and OS X. Hallelujah!